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In this portrait of a world askew, filmmaker McCabe composes an apocalyptic lullaby, a landscape film meditating on the end of the world and subtly the end of film as a medium. Incorporating timelapse cinematography shot at the Salton Sea, Big Sur and Joshua Tree, the film provides a canvas of empty and beautiful spaces with narration about the benefits of radiation with a plea to the viewer to preserve the message for the future.
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