Found footage from a feature film. From an idyllic scene at the sea Tscherkassky moves to a speedy car driving by night. The radical movement of objects, bodies and senses illustrates the power of cinema.

Entirely shot with an analog photo camera, it is a film about the longing for intimacy, a film about the distance between the searching gaze and the world.

Voyeuristic desire as the precondition for all cinema pleasure is at stake here. What Christian Metz (based on the psychoanalytical theory by Jacques Lacan) has established in theory is rendered as film.

A found footage film about oral ritual, seasonal celebrations, and about a married couple, who quite obviously understand how to enrich and enliven companionship. We see a pair pouring drinks, cutting cakes, dr...

Not a stage direction, but rather something very concrete is hidden behind the technical term. Cinema that answers a yearning for intelligent and playful dealings with the genre of the short film.